This paper will explore the use of allegory as a trope in the writing of East African Asian writer, M.G. Vassanji. We shall apply Fredric Jameson’s Allegory of the Nation in order to tease out the various ways in which the inner universe of the Kenyan nation is contested and constructed as well as the various enunciations of meanings that generate/are generated and their implications.
Published in | International Journal of Literature and Arts (Volume 2, Issue 2) |
DOI | 10.11648/j.ijla.20140202.13 |
Page(s) | 40-43 |
Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
Copyright |
Copyright © The Author(s), 2014. Published by Science Publishing Group |
Nation, Nationhood, Identity
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[3] | Cobhan, Rhonda (1991). "Boundaries of the Nation: Boundaries of the Self: African Nationalist Fiction and Nurddin Farah’s Maps." Research in African Literatures 22:83-98. |
[4] | Deniz, Kandiyoti (1994). "Identity and Its Discontents: Women and the Nation," in Colonial Discourse and Post-Colonial Theory, (ed).Patrick Williams and Laura Chrisman. New York: Columbia University Press Pp .388. |
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[7] | Jameson, Fredric (1991). Postmodernism , or, the Cultural Logic of Late Capitalism. Post-Contemporary Interventions. Durham: Duke U P. (1986). "Third World Literature in the Era of Capitalism."Social Text 15:65-88. |
[8] | Linda, Hutcheon (1988). A Poetic of Postmodernism: History, Theory, Fiction. New York, London: Routledge Pp.105. |
[9] | Ngugi Wa Thion’go. "Interview." Eyoh 142-48. |
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APA Style
Seraphine Chepkosgei. (2014). Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation. International Journal of Literature and Arts, 2(2), 40-43. https://doi.org/10.11648/j.ijla.20140202.13
ACS Style
Seraphine Chepkosgei. Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation. Int. J. Lit. Arts 2014, 2(2), 40-43. doi: 10.11648/j.ijla.20140202.13
AMA Style
Seraphine Chepkosgei. Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation. Int J Lit Arts. 2014;2(2):40-43. doi: 10.11648/j.ijla.20140202.13
@article{10.11648/j.ijla.20140202.13, author = {Seraphine Chepkosgei}, title = {Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation}, journal = {International Journal of Literature and Arts}, volume = {2}, number = {2}, pages = {40-43}, doi = {10.11648/j.ijla.20140202.13}, url = {https://doi.org/10.11648/j.ijla.20140202.13}, eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20140202.13}, abstract = {This paper will explore the use of allegory as a trope in the writing of East African Asian writer, M.G. Vassanji. We shall apply Fredric Jameson’s Allegory of the Nation in order to tease out the various ways in which the inner universe of the Kenyan nation is contested and constructed as well as the various enunciations of meanings that generate/are generated and their implications.}, year = {2014} }
TY - JOUR T1 - Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation AU - Seraphine Chepkosgei Y1 - 2014/03/20 PY - 2014 N1 - https://doi.org/10.11648/j.ijla.20140202.13 DO - 10.11648/j.ijla.20140202.13 T2 - International Journal of Literature and Arts JF - International Journal of Literature and Arts JO - International Journal of Literature and Arts SP - 40 EP - 43 PB - Science Publishing Group SN - 2331-057X UR - https://doi.org/10.11648/j.ijla.20140202.13 AB - This paper will explore the use of allegory as a trope in the writing of East African Asian writer, M.G. Vassanji. We shall apply Fredric Jameson’s Allegory of the Nation in order to tease out the various ways in which the inner universe of the Kenyan nation is contested and constructed as well as the various enunciations of meanings that generate/are generated and their implications. VL - 2 IS - 2 ER -